Work	Biography	Publications
		1943 Born, Bronxville, New York 1957-61 Williston Academy, Easthampton, Massachusetts 1961-62 Theodor Heuss Gymnasium, Heilbronn, Germany 1962-66 Yale University, New Haven 1966-69 Yale School of Art and Architecture Solo Exhibitions 1968 Konrad Fischer Gallery, Dusseldorf Galerie Heiner Friedrich, Munich 1969 Dwan Gallery, New York Ace Gallery, Los Angeles Museum Haus Lange, Krefeld 1970 Dwan Gallery, New York Galleria Françoise Lambert, Milan Gallerie Yvon lambert, Paris Galerie Reckermann, Cologne Galerie Heiner Friedrich, Munich 1971 Galerie Annemarie Verna, Zürich 1972 John Weber Gallery, New York Galerie Reckermann, Cologne Galerie Heiner Friedrich, Munich Galerie Annemarie Verna, Zürich Galerie Diogenes, Berlin 1973 Kunsthalle, Bern Galerie Nächst St. Stephan, Vienna Galerie im Taxispalais, Innsbruck Galerie Heiner Friedrich, Munich 1974 John Weber Gallery, New York Museum Schloss Morsbroich, Leverkusen Galleria Martano, Turin Galleria Milano, Milan Galleria Primo Piano, Rome "Discussions," The Clocktower, New York Galerie Heiner Friedrich, Cologne Museum Folkwang, Essen Galleria Peccolo, Leghorn 1975 Hessisches Landesmuseum, Darmstadt Kunstraum, Munich Galerie D & C Müller-Roth, Stuttgart Galerie Heiner Friedrich, Cologne Galerie Dorothea Loehr, Frankfurt Galerie Klein, Bonn 1976 John Weber Gallery, New York Brooke Alexander, Inc., New York Galerie Annemarie Verna, Zürich Galerie Primo Piano, Rome Liliane & Michel Durand-Dessert, Paris Galerie Heiner Friedrich, Cologne 1977 Galerie Heiner Friedrich, Munich Lisson Gallery, London Hester Van Royen Gallery, London 1978 Heiner Friedrich Gallery, New York Galerie Heiner Friedrich, Cologne Institute for Art and Urban Resources: P.S. 1, Long Island City, New York The Museum of Modern Art, New York Yale University School of Artand Architecture, New Haven 1981 Galerie Annemarie Verna, Zürich 1982 Galerie Editions Media, Neufchatel 1983 Marian Goodman Gallery, New York The Fred Sandback Museum, Winchendon, Massachusetts Galerie Fred Jahn, Munich University of Massachusetts, Amherst 1984 Le Consortium, Dijon 1985 Krannert Art Museum, University of Illinois, Champaign-Urbana Kunsthaus Zürich Liliane & Michel Durand-Dessert, Paris Marian Goodman Gallery, New York 1986 Staädtische Kunsthalle, Mannheim Galerie Annemarie Verna, Zürich Galerie Fred Jahn, Munich 1987 Städtisches Museum, Leverkusen Kestner-Gesellschaft, Hannover Galarie Borgmann-Capitain, Cologne Westfälischer Kunstverein, Munster Dia Art Foundation, Winchendon, Massachusetts 1988 Liliane & Michel Durand-Dessert, Paris Dia Art Foundation, New York Villa Arson, Nice Galerie Fred Jahn, Munich David Nolan Gallery, New York 1988 Galerie Annemarie Verna, Zürich 1989 Burnett Miller Gallery, Los Angeles Contemporary Arts Museum, Houston Yale University Art Gallery, New Haven Nina Freudenheim Gallery, Buffalo 1990 Galerie Jahn & Fusban, Munich Galleria Primo Piano, Rome Galleria Victoria Miro, Florence David Noland Gallery, New York Victoria Miro Gallery, London Lawrence Markey Gallery, New York 1991 Galerie Jürgen Becker, Hamburg Burnett Miller Gallery, Los Angeles Magasin 3, Stockholm Galerie Annemarie Verna, Zürich Lawrence Markey Gallery, New York 1992 Galerie Hubert Winter, Vienna Galerie Rolf Ricke, Cologne Lieu d'Art Contemporain, Hameau du Lac, France Galerie Fred Jahn, Stuttgart 1993 Galerie Jürgen Becker, Hamburg 1994 Nolan/Eckman Gallery, New York Galerie Hubert Winter, Vienna Galerie Fred Jahn, Munich 1995 Lawrence Markey Gallery, New York 1996 Forum for Contemporary Art, St.Louis Mo. Sculpture, Dia Center for the Arts, New York Lawrence Markey Gallery, New York Galerie Annemarie Verna, Zürich Rolf Ricke Gallery, Köln University of Iowa, Iowa City 1997 Galerie Hubert Winter, Vienna Projektraum Berlin, Berlin Rhona Hoffman Gallery, Chicago Through the Looking Glass, The University of Michigan Museum of Art, Ann Arbor Galerie Biedermann, Munich Der Bregenzer Kunstverein, Palais Thurn & Taxis, Bregenz Galerie Hubert Winter, Berlin 1998 Artconnexion, Lille Galerie Fred Jahn, Munich Galerie Meert Rihoux, Brussels Lawrence Markey Gallery, New York University of Rhode Island, Kingston 1999 Henry Moore Institute, Leeds Weslyan University, Middlebury Hubert Winter, Vienna 2000 Galerie Annemarie Verna, Zürich Lawrence Markey Gallery, New York Group Exhibitions 1967 Summer Group Show, Yale School of Art and Architecture, New Haven 1968 Hang Ups and Put Downs, University of Wisconsin, Madison Recent Acquisitions, Whitney Museum of American Art, New York Artists Under 40, Whitney Museum of American Art, New York Prospect 68, Kunsthalle, Dusseldorf Sculpture Annual, Whitney Museum of American Art, New York 1969 New Media-New Methods, Museum of Modern Art, New York (travel: United State and Canada) Here and Now, Washington University, St. Louis Konzeption-Conception, Museum Schloss Morsbroich, Leverkusen When Attitude Becomes Form, Kunsthalle, Bern Between Object and Environment, Institute of Contemporary Art, University of Pennsylvania, Philadelphia Recent Acquistions, Rhode Island School of Design Museum, Providence Dwan Gallery, New York Fort Worth Art Center, Fort Worth Detroit Art Institute, Detroit String and Rope, Sidney Janis Gallery, New York Steinberg Gallery, University of St. Louis, Missouri 1970 Bidnerische Ausdrucksformen 1960-1970, Karl Ströher Collection, Hessisches Landesmuseum, Darmstadt American Drawings, Galerie Yvon Lambert, Paris Conceptual Art, Arte Povera, land Art, Galleria Civica d'arte Moderna, Turin 3e Salon International de Galeries Pilotes, Paris and Lausanne Dwan Gallery, New York Fünf Künstler in fünf Räumen, Kunst-und Museumsverein, Wuppertal 1971 Sonsbeek 1971, Arnhem 1971 John Weber Gallery, New York 1972 John Weber Gallery, New York High Museum of Art, Atlanta Group exhibition of 420 West Broadway galleries at the Spoleto Festival, Spoleto Actualité d'un Bilan, Galerie Yvon Lambert, Paris Beleg 11-Neuerwerbungen 1969-1972, Städtisches Museum Mönchengladbach 1973 Cusack Gallery, Houston Palais Thurn und Taxis, Bregenz 1974 Multiples, Neuer Berliner Kunstverein, Berlin Recently Acquired Drawings, The Museum of Modern Art, New York 1975 Galerie Aronowitch, Stockholm 1976 Rooms, Institute for Art and Urban Resources, P.S.1, Long Island City, New York Drawing Now, The Museum of Modern Art, New York (traveled: United States and Europe) Biennale of Sydney, Australia An Exhiition for the War Resister's League, Heiner Friedrich Gallery, New York Drawing/Disegno, Cannaviello Studio d'Arte, Rome Line, Visual Arts Museum, New York; Philadelphia College of Art, Philadelphia 1977 Zeichnungen, Galerie Heiner Friedrich, Cologne 1979 Beinnial Exhibition of American Artists, Art Institute of Chicago 1980 Lisson Gallery, London Pier and Ocean, Hayward Gallery, London The New Provincetown Gallery, Provincetown, Massachusetts Graphisches Kabinett, Kunsthaus, Zürich Staatsgalerie Moderner Kunst, Munich 1981 Mise en Piêces, Mise en Place, Mise au Point, Maison de la Culture, Chalon-sur-Saone; Le Coin du Miroir, Dijon Galerie D & C Müller-Roth, Stuttgart Bienal de Arte, Medellín, Colombia Constuction in Process, Lodz, Poland Drawing Distinctions: American Drawings of the Seventies, Louisiana Museum of Modern Art, Humlebaek, Denmark; Kunsthalle, Basel; Städtische Galerie im Lenbachhaus, Munich; Wilhelm-Hack-Museum und Städtische Kunstsammlungen, Ludwigshafen, Germany (1981-1982) 1983 Presence Discrète, Musée des Beaux-Arts, Dijon Drawings/Disegni/Zeichnungen I, Galerie Annemarie Verna, Zürich Framed Space II, Harvard University Graduate School of Design, Cambridge, MA 1984 Amerikanische Zeichnungen, Galerie Biedermann, Munich Editionen, Galerie Fred Jahn, Munich Clearly Stated: Drawings, Margarete Roeder Gallery, New York Drawings by Sculptors, Brooke Alexander, Inc., New York 1985 Fred Sandback/Richard Tuttle: Drawings, Galerie Schiessel, Munich Portfolios, Brooke Alexander, Inc., New York Bild/Sprache: Eine Hommage, Galerie im Taxispalais, Innsbruck Vom Zeichnen Aspekte der Zeichnung 1960-1985, Frankfurter Kunstverein, Frankfurt The Maximal Implications of Minimal Line, Edith C. Blum Art Institute Bard College, Annandale-on-Hudson, New York 1986 Vom Zeichnen: Aspekte der Zeichnung 1960-1985, Kasseler Kunstverein, Kassel; Museum Moderner Kunst, Vienna Margarete Roeder Gallery, New York 1987 Points of Contact, Laurie Rubin Gallery, New York 1988 David Nolan Gallery, New York Amerikanische Druckgraphik, Galerie Fred Jahn, Munich Burnett Miller Gallery, Los Angeles Linien: Arbeiten auf Papier, Galerie Rolf Ricke, Cologne Galerie Annemarie Verna, Zürich 1989 Gary Kuehn, Fred Sandback, Michael Venezia, Margarete Roeder Gallery, New York Überarbeitete Druckgrafik, Monotypien, Zeichnungen-Editionen, Galerie Biedermann, Munich Projects and Portfolios: The 25th National Print Exhibition, The Brooklyn Museum, Brooklyn, New York Aus Meiner Sicht: An Exhibition by Rolf Ricke, Kölnischer Kunstverein, Cologne 1990 5th Anniversary Exhibition, Burnett Miller Gallery, Los Angeles Radikal auf Papier, Aarauer Kunsthaus, Aarau, Switzerland Quotations, Galerie Annemarie Verna, Zürich Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona, Kunsthalle Bielefeld, Bielefeld 1991 Minimal Impressions, Richard Feigen Gallery, Chicago Twelfth Annual Boston Drawing Show, Boston Center for the Arts, Boston Liliane & Michel Durand-Dessert, Paris L'insoutenable Legerete del'Art, Musee Municipal, La Roche-sur-Yon, France Editionen der Galerie, Galerie Fred Jahn, Munich 1992 Words Don't Come Easy, Kunsthaus, Hamburg Museum of Modern Art, New York Surface to Surface, Barbara Krakow, Boston 1992 Parallel Lines, Sophia Ungers, Cologne Sprengel Museum, Hannover Summer Drawing Show, Galerie Fred Jahn, Munich 1993 Museum of Modern Art, New York David Rabinowitch/Fred Sandback, Annemarie Verna, Zürich Fred Sandback/Richard Serra, Barbara Krakow, Boston Espace Libere, Espace de l'Art Concret, Mouans-Saroux, France Das Einfache ist Das Schwierige, Kunsthaus, Zug European and American Drawings 1961-1969, Nolan/Eckman Gallery, New York 1994 San Francisco Museum of Modern Art, San Francisco 1995 Stanley Brouwn/Hans-Peter Feldmann/ Francois Morellet/Fred Sandback, Liliane & Michel Durand-Dessert, Paris Galerie Hubert Winter, Vienna Eadweard Muybridge/Fred Sandback, Barbara Krakow Gallery, Boston Drawing the Line, Whitechapel Art Gallery, London Arbeiten auf Papier, Jürgen Becker, Hamburg 1996 Nancy Rubins, Fred Sandback, Serge Spitzer, Burnett Miller Gallery, Los Angeles Margarete Roeder Gallery, New York Margarete Roeder Gallery, Cologne Holländisches Bad Radierungen: Zur Renaissance einer Technik, Kunsthaus Hamburg and Brecht-Haus Weissensee, Berlin 1997 The Persistence of Vision, 2, Barbara Krakow Gallery, Boston Un Musée-Imaginé par des Artists", Espace de L'Art Concret,Mouans-Sartoux Graphit auf Papier, Galerie Thomas von Lintel, Munich Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University Art Museum, Cambridge. Travels to Kunstmuseum, Winterthur; Kunst-Museum, Ahlen; Akademie der Kunste, Berlin; Fonds régional d'art Contemporain de Picardie and Musée de Picardie, Amiens; The Parish Art Museum, Southampton La Belle d'Aujourd'hui, Nouveau Musée, Villeurbanne, France One Line Drawing, Ubu Gallery, New York 1998 Spaciotemporal, Magasin 3, Stockholm MINIMAL-maximal, Neues Museum Weserburg Bremen The Serial Attitude, Addison Gallery of American Art, Phillips Academy, Andover, Mass. Travels to Wexner Center for the Arts, Ohio State University, Columbus Giacometti to Judd: Prints by Sculptors, the Museum of Modern Art, New York Sans Titre Dix AnS, Musée Villeneuve d'Ascq, France Held and Let Go, California College of Arts and Crafts, Oakland Works from the Collection II, Magasin 3, Stockholm Amerikanische Zeichnung, Galerie Tony Wuethrich, Basel Dessins, Liliane & Michael Durand-Dessert, Paris 1998 Fred Sandback-Heinz Gaapmayr, in Dialogue, Die Weisse Galerie, Cologne Drawings from the 1970's, Lawrence Markey Gallery, New York Die Kunst de Linie-Möglichkeiten des Graphischen, Landesgalerie Oberösterreich Linz 2000 Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Mary & Leigh Block Museum of Art, Evanston, Illinois A Decade of Collecting: Recent Aquisitions of Prints and Drawings, 1940–2000, Fogg Art Museum, Harvard University, Cambridge Ligne(s) de Conduite, Espace de l'Art Concret Mouans, Sartoux Opening Exhibition, Kunstmuseum Liechtenstein 2001 Drawing Projects, Gallery Joe, Philadelphia Bibliography Original Publications 16 Variationen von 2 Diagonalen Linien, l972 16 Variationen von 2 Horizontalen Linien, l973 16 pages each, published by Galerie Heiner Friedrich/Erik Mosel, Munich, 1973 Ten Isometric Drawings for Ten Vertical Constructions, 1977 24 pages, published by Lapp Princess Press, Ltd., New York, 1977 Exhibition Catalogues Munich, Kunstraum, Fred Sandback, l975. (Texts by Hermann Kern and Fred Sandback) Krannert Art Museum, University of Illinois, Champaign-Urbana. The Art of Fred Sandback: A Survey, 1985. (Interview with artist by Stephen Prokopoff) Kunsthaus, Zürich. Fred Sandback, 1985. (Texts by Toni Stooss, Gianfranco Verna, and Lisa Liebmann) Mannheim, Städtische Kunsthalle. Fred Sandback: Sculpture 1966-1986. l986 (Texts by Manfred Fath, Fred Jahn, and Fred Sandback) Fred Sandback: Werkerzeichnis der Druckgrafik, Munich: Galerie Fred Jahn, 1985. (Text by Rolf Wedewer) Published on occasion of the exhibition Fred Sandback: Die Gesamte Grafik (Leverkusen, Städtisches Museum, 1986) Münster, Westfälischer Kunstverein. Fred Sandback: Vertical Constructions,1987. (Texts by Marianne Stockebrand and Fred Sandback) Hannover, Kestner-Gesellschaft, Fred Sandback: Diagonal Constructions/Broken Lines. Skulpturen und Zeichnungen, 1987 (Texts by Carsten Ahrens, Carl Haenlein, and Fred Sandback) Fred Sandback Sculpture, Yale University Art Gallery, New Haven, Contemporary Arts Museum, Houston, Texas, 1989 (Texts by Suzanne Delehanty, Sasha M. Newman, Richard S. Field, and Phyllis Tuchman) Fred Sandback, Magasin 3, Stockholm (Text by Sasha M. Newman) 1991 Fred Sandback, Bregenzer Kunstverien Palais Thurn & Taxis, 1997 Books Mavridorakis, Valerie, 1998 Fred Sandback, ou le fil d'Occam, sand Titre La Lettre volée (Collection Palimpsestes) Articles and Reviews [Page references have been provided wherever possible. When an article of two or more pages in length is not exclusively about Sandback, the exact page(s) of his mention appear in parentheses.] Hutchinson, Peter. "The Perception of Illusion: Object and Environment." Arts Magazine 42 (April 1968): 13, 15. "Snap-on Structures." Art in America 56 (July-August 1968): 56-57. Calvesi, Maurizio. "Topologia e ontologia, oggolto e comportamento e struttura: relieui provisori." Cartebianca (Summer l968): 2-5. "The New Season: Mostly Minimal." The Village Voice (19 September 1968):18-19 (19). Braude, P. "Frederick Lane Sandback." Bulletin of the Rhode Island School of Design: Museum Notes 55 ( December 1968): 64. [Catalogue of Recent Acquisitions, Museum of Art, Rhode Island School of Design, January 1969] Daniels, Demetria. "Frederick Lane Sandback." Arts Magazine 43 (December1968- January 1969): 66. Selvig, Forrest Hall. "Whitney Annual: Sculpture 1968." Arts Magazine 43 (December 1968- January 1969): 25-27 (27). Kozloff, Max. "Whitney Annual: Sculpture, Whitney Museum." Artforum7 (February 1969): 64. [as "Peter" Sandback] Kurtz, Stephen A. "Fred Sandback." Art News 67 (February 1969): 68. Sommer, Ed. "Prospect 68 and Kunstmarkt 68." Art International 13 (February l969): 32- 36 (33,34). McDonagh, Don. "New York Art: Sculpture on the Move." The Financial Times (7 March 1969): 3. Mellow, James R. "New York Letter." Art International 13 (March 1969): 56-60 (59, 60). W.F., "Das Ding ist eine Luge." Westdeutsche Zeitung (7 July l969). Hausman, J. "Fred Sandback: Lictht, Raum, Tatsachen." Neue Rhein Zeitung (4 July l969) Hausman, J. "Neue Vorstellungen." Neue Rhein Zeitung (7 July l969) Honnef, Klaus. "Fred Sandback: Installations." Das Kunstwerk 22 (August-September 1969): 73. Kress, Peter. "Fünf Künstler in fünf Räumen." Das Kunstwerk 23 (February-March 1970): 78. Nemser, Cindy. "Fred Sandback at Dwan." Arts Magazine 44 (May 1970): 65. Marandel, J. Patrice. "Lettre de New York." Art International 14 (Summer 1970):128-31 (130- 31). Ratcliff, Carter. "New York." Art International 14 (Summer 1970): 132-44 (139) Ratcliff, Carter. "Reviews and Previews." Art News 69 (Summer 1970): 67. Tuchman, Phyllis. "American Art in Germany." Artforum (November 1970) p. 58-59 (illus 67) Pleynet, Marcelin. "Paris: Sans Théorie et Sans Peinture." Art International 15 (January 1971): 58. Baker, Kenneth. "Group Show. Dwan Gallery." Artforum 9 (February 1971): 80-81 Borgeaud, Barnard. "Paris." Arts Magazine 45 (February 1971): 49. Francalanci, Ernesto Luciano. "Lettera dall'Italia." Art International 15 (February 1971): 58-63 (62). Schulze-Reimpell, W. "Puristische Kunst-Konzepte." Die Welt (5 May 1971). Blotkamp, Carel. "Sculpture at Sonsbeek." Studio International 182 (September 1971): 70-73 (70). Linville, Kasha. "Sonsbeek: Speculations, Impressions." Artforum 10 (October 1971): 54- 61 (55, 61). Catoir, Barbara. "Der Kunstmarkt '72 in Koln." Das Kunstwerk 25 (November 1972): 11-12, 13-34 (11, 30) Crimp, Douglas. "Reviews andpreviews." Art News 72 (February 1973): 80. Stitelman, Paul. "Reviews: Galleries." Arts Magazine 47 (February 1973): 68-70 (70). Boice, Bruce. "Fred Sandback, Weber Gallery." Artforum 11 (March 1973): 91-92. Schmidt, D. "Reflexionen über Raum.: Süddeutsche Zeitung (14 May l973). Kingsley, April. "New York letter." Art International 17 (March l973): 47-50, 74 (74). Alloway, Lawrence. "Fred Sandback, John Weber Gallery." Artforum 12 (May 1974): 63. Lubell, Ellen. "Fred Sandback." Arts magazine 48 (May l974): 59. Martin, Henry. "Milan: Spring." Art International 18 (Summer 1974): 33-35, 60 (60). S.C.H. "Begehbare Räume durch Sandbacks Farbschnüre." Westdeutsche Abendzeitung (10 October 1974) section 3, p. 3. W.B.G. "Fred Sandback verzerrt die Museums-Perspektive." Neue Ruhr Zeitung (12 October 1974). J.K.G. "Einfache Kunstobjekt aus billigen Wollfäden." Ruhr Nachrichten (13 October 1974). "Faden ziehen, Fred Sandback in der galerie D & C Müller-Roth." Stuttgarter Nachrichten (7 May l975). G.K. "Aufgespiesst und abgezirkelt." Suddeutsche Zeitung (15 Cctober 1975): 27 Pohlen. "Ausstellung in Bonn." General Anzeiger (25 october 1975). Koranui, S. "Mit sparsamen Mittein." Bonner Rundschau. (25 October l975). Rein, Ingrid. "Fussgangerische Skulpturen." Du 35 (November 1975): 9-10 (Interview with the artist). Boorsch, Suzanne. "New Editions: Fred Sandback." Art News 75 (September 1976): 72. Ellenzweig, Allen. "Fred Sandback," Arts Magazine 51 (September 1976): 25-26. Lubell, Ellen. "Fred Sandback/Dale Henry." Arts Magazine 51 (October 1976): 26. Smith, Roberta. "Fred Sandback at Weber, Alexander and P.S. 1." Art in America 64 (November-December 1976): 115-16 Loring, John. "Judding from Descartes, Sandbacking and Several Tuttologies." The Print Collector's Newsletter 7 (January-February 1977): 165-68. Larson, Philip. "Aquatints Again." The Print Collector's Newsletter 8 (July-August 1977): 61-65 (64). Thwaites, John Anthony. "Cologne: Russian Constructivism in Retrospect." Art News 77 (September 1978): 111, 114 (111). Alloway, Lawrence. "MoMA's Inertial Avant-Garde." The Village Voice (6 November 1978): 118-19 (118). Munro, E. in Art New England (October 1980). "Ein Raum von Fred Sandback." Baseler Zeitung (10 March 1981). "Fred Sandback-Galerie Durand-Dessert." Art Press (Summer l981). "Fred Sandback-Galerie Verna." Tages-Anzeiger (10 March l981). Glueck, Grace. "An Art Blackout in Poland." The New York Times (October 1981). Geller, "NewYork comes to Winchendon." The North County Advocate (16 January l982). Muse. "A Museum Trip through Line and Space." The Gardiner News (l6 January 1982). Hitchcock. "Line, Interior Space, and Time." The North County Advocate (7 April l982). Weskott, Hanne. "München, Städtische Galerie im Lenbachhaus Ausstellung: Amerikanische Zeichnungen der 70er jahre." Pantheon 40 (April-June 1982): 144-45. Rein, Ingrid. "Amerikanische Zeichnungen der Siebziger Jahre." Kunstwerk 35 (June 1982): 79-80 (80). Glueck, Grace. "Fred Sandback" ( Marian Goodman Gallery). The New York Times (7 January 1983). Liebmann, Lisa. "Fred Sandback, Marian Goodman Gallery." Artforum 21 (April 1983): 75. Bonetti, David. "Space Framed II." Art New England 4 (June l983): 9. Waisnis, Edward. "The Fred Sandback Museum." Art New England 4(Summer 1983): 10. Potter, Jessica. "Fred Sandback, Barnett Newman." Art New England 5 (February 1984):09. Bellman, David. "Drawings by Sculptors: Two Decades of Non-Objective Art", Seagram Collection, 1984 "Entmaterialisierte Skulpture." Neue Zürcher Zeitung (May 1985). "Weniger ist Mehr." Tagblatt der Stadt Zurich (May 1985). Vachtova, L. "In den Tiefen der Leere, eine radikale Lektion." Tages-Anzeiger, Zurich (1985). "Mit Minimalen eine grosse Wirkung erzielen." Neue Zürcher Nachrichten (1985). "Fred Sandback." DieKunst (May 1985). Silverthorne. Jeanne. "Fred Sandback, Marian Goodman Gallery." Artforum 24 (December 1985): 86. Weiermair, Peter. "Bild/Sprache: eine Hommage," in Monographie un Hommage fur H. Gappmayr. Innsbruck, 1985. Carlock, Marty. "Sandback's abstract lines have found a space of their own." The Boston Globe (24 April 1986): 76. Feeser, S. "Stollen, Schneisen und bunte Fäden." die Rheinpfalz Ludwigshafen Feuilleton (20 March 1986). Hierholzer, M. "Farbige Linien im Raum." Mannheimer Morgen (21 March 1986). Lang, R. "Strenge Linien und Flammenschrift." Hannoversche Allgemeine Zeitung (28 February 1987). Gurtler, K. "An der Grenze." Hannover Flex (March 1987). Blase, C. "Der sparsame NewYorker." Harper's Bazaar (March 1987). Barth, S. "Wollfaden im leeren Raum: Dieser Künstler arbeitet nah am Nichts." Neue Presse, Hannover (5 March 1987). Burkamp, G. "Mit Wollfaden Linien Ziehen." Die Neue Ärtzliche Ausschnitt (10 March 1987). Winter, Peter. "Beruhren verboten." Frankfurter Allgemeine Zeitung (30 March, l987): 27. Galloway, David. "Report from Germany." Art in America 75 (June 1987):31-39 (34, 37). Wolf, C. "Die Wahrheit leigt im Wollfaden." Zuri-Tip. (30 September 1988) Thompson, Walter. "Fred Sandback at Dia Art Foundation." Art in America 77 (January l989): 151. Geer, S. "The Intangible Made Visible." Art Week 20 (18 March 1989). Donohue, Marlena. "Galleries." Los Angeles Times (3 March l989): 21. Chadwick, Susan. "Being There." The Houston Post (14 May 1989): H14. Johnson, Patricia C. "Strings Attached." Houston Chronicle (21 May l989): 16 Chadwick, Susan. "Artist Spins a Yarn of Illusions." The Houston Post (22 May l989): D4 Fawcett, Dennis. "On sculpture: When less is more." New Haven Register (16 July 1989): D1, D8. Russell, John. "In Connecticut: Yale Gallery." The New York Times (4 August 1989): C23. Huntington, Richard. "Big Gallery, Fine Minimalist Art." The Buffalo News (8 November l989): 10. Walker, Barry. "Projects & Port folios", The Brooklyn Museum & Hine Edtions, 1989 Creeley, Robert. "Walking the Line, Fred Sandback in Buffalo." Arts Magazine 64 (April 1990): 58-61. Cohen, Ronny H. "Minimal Prints." The Print Collector's Newsletter 21 May-June 1990): 41-46 (41, 44-45). Zevi, Adachiara. "Fred Sandback: come se.../As if...." L'Architettura: cronache e storia 419, Milan (September 1990): 648-50. Cuno, James. "Minimalism and Post-Minimalism: Drawing Distinctions", Hood Museum of Art, Dartmouth College, Hanover, l990: 42-43 Aigikos, J. "Fred Sandback, David Nolan Gallery." Artforum (January 1991). ........., Christan. "Fred Sandback, Galerie Hubert Winter" Artforum (April 1992) p. 109 illus. ........., Ausstellungen bei Konrad Fischer, Edition Mazona, p. 19 illus. Melchart, Erwin. "Galerie Rundgang", Kronen-Zeitung, Vienna (February 17, 1994) Hofleitner, Johanna. "Ausgestellt in Wien" Die Presse (February 17, l994) Karmel, Pepe. "Fred Sandback, Lawrence Markey Gallery" The New York Times, 1995 Glueck, Grace. "Fred Sandback: Sculpture at DIA Center for the Arts and Drawings 1966-1996 at Lawrence Markey" The New York Times (October 18, 1996) Schwabsky, Barry. "Fred Sandback: DIA Center for the Arts, Lawrence Markey Gallery" Artforum (January 1997) Sischy, Ingrid. "Letter from the Editor" Interview (January 1997): 52 Pandiscio, Richard, "C-O-N-N-E-C-T" Interview (January 1997): 88-89 Mitchell, Charles Dee. "Fred Sandback at Dia" Art in America (April 1997) Simon, Joan "Fred Sandback: Lines of Inquiry", Art in America (May 1997): 86-93, 143 "Dem Faden nachgegangen, ...und zurSkuptur gekommen: Sandback im Künstlerhaus" Vorarlberger nachrichten, Bregenz (July 26, 1997): 1, D11 Lee, Pamela and Christine Mehring. 1997. Essay by Dieter Schwarz, contributions by Christine Schnegass, Julie Vicinus. "Drawing is Another Kind of Language" Recent American Drawings from a New York Private Collection, Authur M. Sackler Museum, Harvard University Art Museum, Cambridge, Daco-Verlag Günter Bläse, Stuttgart: 158-159, illus. Baker, Kenneth. "Great American Archives" San Francisco Chronicle (October 2, 1998) Artner, Alan, G. "Primary Structures", Chicago Tribune (June 6, 1997) Camper, Fred. "Monuments of Geometry", Chicago Reader (May 30, 1997) Patner, Andrew, "Sol Lewitt : New Work, Fred Sandback: Sculpture", Chicago Sun Times (May 27, 1997) Vincent, Steven. "Lewitt and Sandback at Rhona Hoffman", Art & Auction (May 1997) Metzger, Rainer. Marmor, Stein und Eisen Bricht" Der Standard, Vienna, (February 18, 1997) Sonna, Birgit. "Die Harmonie von Kunst im Raum" Süddeutsche Zeitung (November 12, 1998) Mittringer, Markus. "Die Spätfolgen der Moderne" Der Standard Vienna, (February 25, 1997) >   top